For most of my time in Paris, I lived in a second-floor apartment at 23 rue Rambuteau, between the Centre Pompidou and the Marais quarter. At the back end of the apartment, the bedroom windows looked down onto a narrow street,
rue Geoffroy-l'Angevin, which was said to date from the 13th century.
On the opposite façade, a sign indicated the presence of a merchant who stocked bread, wine and cheese. Neighbors told me that small warehouses of that kind—referred to as "
BOF" merchants (
beurre, œuf, fromage)—came into existence during the Nazi Occupation, to deal in black-market foodstuffs (avoiding the rationing system), and that their owners soon became rich.
Recently, I was intrigued by an enigmatic
Femen tweet saying that the Russian president
Vladimir Putin had been sighted in the rue Geoffroy-l'Angevin. Over the last few years, we've grown accustomed to images of Putin as a rugged outdoor macho, often stripped above the waist to exhibit his pectorals. I've always thought he looks more authentic (more authentically evil) in his old KGB uniform.
I finally discovered the sense of the Femen tweet about Putin in the rue Geoffroy-l'Angevin. An anonymous street artist had apparently created a colorful stenciled variation on the theme of a lese-majesty painting that presents the Russian president as a transvestite in female lingerie.
The original portrait of Putin and his prime minister
Dmitry Medvedev disguised as females was created recently by the Russian artist
Konstantin Altunin.
Not surprisingly, Altunin was obliged to run for his life and flee from Russia to avoid receiving an art lesson from Putin's henchmen.
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