This moving video contains amazing moments of tenderness between the chimpanzee Wounda, about to be released in the Congo jungle, her carer Rebecca Atencia and Jane Goodall.
الجمعة، 24 يناير 2014
الاثنين، 20 يناير 2014
Celebrated Dutch painter of Pont-en-Royans
Bob ten Hoope [1920-2014]
One of the most interesting individuals I encountered when I came to live in Choranche in 1994 was the Dutch painter Bob ten Hoope, who had decided to set up his home in Pont-en-Royans back in 1954. In the beginning, I was impressed by his sketches of men playing cards in a local café.
But I soon learned that this was a small domain of his work, which encompassed large oil paintings of nudes and many local landscapes.
It was through her friendship with Bob ten Hoope that the sculptor Tineke Bot discovered this region, and decided to settle down in Choranche.
— photo by Roger Latton [2013]
Gamone has been Google-mapped
I’ve just discovered, by chance, that Google Maps apparently carried out a street-view operation at Gamone in May 2013. Here’s the road leading up to my house:
Click to enlarge
Here’s a panoramic view of my house:
The Google vehicle carried on up the road to my neighbors’ house. There’s a nice view of the Cournouze seen from a point just below Jackie’s house:
الأحد، 19 يناير 2014
Cover for my book on paternal genealogy
I’ll soon be needing a cover image for They Sought the Last of Lands, which describes the paternal dimension of my family history. Here’s a possible maquette:
For the moment, I’m not convinced that this maquette is good. My choice of the theme of wild horses in the Australian Outback (an image that belongs to Les Hiddins and ABC Books) evokes, above all, my grandfather’s childhood dream of leaving London and finding freedom in the Australian bush. Meanwhile, I've contacted ABC Books in the hope of obtaining a high-resolution file of this image.
We’ll see. All suggestions are welcomed. I plan to bring out this title at Gamone Press as soon as possible, shortly after the publication of A Little Bit of Irish.
POSTSCRIPT: I'm aware that a talented graphics artist (highly paid) would solve rapidly my cover-design challenge. But a professional operation of that kind would propulse me out of the self-publishing field, and disrupt the whole friendly common-sense idea of producing and distributing a family-history document without falling into the trap of paying a fortune to vanity-press printers. Please accept my amateurism!
For the moment, I’m not convinced that this maquette is good. My choice of the theme of wild horses in the Australian Outback (an image that belongs to Les Hiddins and ABC Books) evokes, above all, my grandfather’s childhood dream of leaving London and finding freedom in the Australian bush. Meanwhile, I've contacted ABC Books in the hope of obtaining a high-resolution file of this image.
We’ll see. All suggestions are welcomed. I plan to bring out this title at Gamone Press as soon as possible, shortly after the publication of A Little Bit of Irish.
POSTSCRIPT: I'm aware that a talented graphics artist (highly paid) would solve rapidly my cover-design challenge. But a professional operation of that kind would propulse me out of the self-publishing field, and disrupt the whole friendly common-sense idea of producing and distributing a family-history document without falling into the trap of paying a fortune to vanity-press printers. Please accept my amateurism!
My mother's birthday
I must admit that I tend to talk and think as if everybody in the universe has been enthralled by Kurt Vonnegut [1922-2007] in general and his eye-opening novel Deadeye Dick (1983) in particular. Maybe they have, and I simply haven’t noticed…
Employing Vonnegut talk, I celebrate today the fact that the peephole of my dear mother Enid Kathleen Walker [1918-2003] opened exactly 96 years ago, on January 19, 1918. Here’s a lovely studio portrait of Kath when she was two years old:
If ever it could be said that one’s date of birth is “chosen” (how, and by whom?), then the least I can say is that the occult forces of the universe chose a crazy date for the opening of my mother’s peephole, in the year of the end of the Great War. I find it fascinating to be able to throw a simple argument at Google, such as the date of my mother’s birth [display], and to discover everything that was happening at that moment in the past.
In the posthumous celebration of my mother’s birthday, the best man at the party is surely Wikipedia. And all I can hope is that he’ll be constantly in attendance at my own future birthday celebrations…
In the posthumous celebration of my mother’s birthday, the best man at the party is surely Wikipedia. And all I can hope is that he’ll be constantly in attendance at my own future birthday celebrations…
الأربعاء، 15 يناير 2014
Gamone panorama
My English cousin Roger Latton (on my paternal Pickering line) came to visit me last summer, with his wife Sue. An excellent photographer, he has just sent me this splendid panoramic image of the Bourne Valley at the level of Gamone, taken from the Croix de Toutes Aures (a spot just above my property):
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| Click to enlarge |
On the left, there’s a corner of the cliffs of Presles. In the middle, the Cournouze promontory is crowned by clouds. On the right, the Bourne Valley is closed by the twin mountains of the Barret and the Trois-Châteaux. This is surely the most spectacular photo of my corner of the world that I've ever seen. Bravo, cousin Roger!
الاثنين، 13 يناير 2014
She-wolf of France
Up until recently, the principal subject of discussion in France was the sad state of the nation and the apparent failure of François Hollande and his Socialist government in the economic domain. Then an amazing affair was created out of the blue by the French chief of police, Manuel Valls, seen here in a Jewish context.
Valls finally succeeded in censuring the black-skinned French anti-Zionist comedian Dieudonné, whose presentations were promptly outlawed through draconian laws and methods that would be surely unthinkable in many English-speaking nations (such as the USA, the UK, Canada and Australia).
All this agitation was taking place just a few days ago, and dominating the media in France. Then, in the space of a few hours, everything changed. Overnight (literally), a new affair eclipsed the old ones. The world learned with amazement that stealthy ScooterMan had been sighted in the middle of the night, at an out-of-bounds location not far away from the Elysées Palace, and that paperazzi photos would be appearing in a French magazine the following morning.
The next day, we were bombarded with images of a new glamor couple: the French president and a beautiful actress, Julie Gayet.
Now, I wish to make a humble and totally irrelevant personal statement concerning this lady. A few years ago, I was stunned by her portrayal of Isabella, the She-wolf of France [1295-1358], wife of the gay king Edward II of England, in the TV series entitled Les Rois maudits (The Accursed Kings).
At that time, I was unearthing genealogical links between the Skeffingtons and the Plantagenet monarchs. For a few days, my mind was filled with the crazy idea that maybe this mysterious creature named Julie Gayet—who struck me as one of the most beautiful women I had ever seen—might be an ancestor of mine. [Since those days of fanciful thinking, I've become aware that my authentic Skeffington ancestors had branched away earlier on, at the Tudor epoch, from those who would get mixed up with the Plantagenet monarchy. In any case, the real Isabella may have been less beauteous than her modern representation.]
Today, in any case, when I hear that Julie Gayet has apparently been swept off her feet by ScooterMan, I feel strangely relieved, for I see retrospectively that she was never really a make-believe creature associated with my imaginary past, but merely a modern and perfectly normal French woman, attracted by a quite normal French president. The following American cartoon provides a good summary of the situation:
Today, in any case, when I hear that Julie Gayet has apparently been swept off her feet by ScooterMan, I feel strangely relieved, for I see retrospectively that she was never really a make-believe creature associated with my imaginary past, but merely a modern and perfectly normal French woman, attracted by a quite normal French president. The following American cartoon provides a good summary of the situation:
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